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She
Could Be Anyone
by Wendy Freebourne
On her toes, Ruth managed to loosen the book she wanted from the top
shelf. She could not grasp it; it fell towards her. Male hands reached
up and caught it. She smelled tobacco.
'There you are.' His voice was deep and resonant. He handed her the
book. 'I like Monet too.'
She looked up into a broad face with laughter lines around dark blue
eyes, a generous mouth, disguised by a full beard, and a mane of wavy
grey hair. He wore a dark grey overcoat and blue jeans. His eyes met
hers full on. He seemed confident, self-assured. He could be anyone.
Ruth was not used to talking to strange men. Embarrassed, she thanked
him and turned away. When
she moved to the till to pay for the book, he was leaning on the counter,
smiling at her. 'I suppose
I save you a headache.' 'Yes.'
He was growing on her. 'It could have fallen on my head.' He waited
for her to pay and, as she turned away, he turned with her.
'Would you like to have coffee?'
Ruth thought his clipped consonants might be German. His English was
good. 'I would like that,'
She meant it. He held out
his hand. 'Teo.' 'I'm Ruth.'
She grasped his warm hand.
'I feel like I know you from somewhere,' he told her in the coffee
shop. 'Do you live in Leeds?'.
'Yes. I've lived here all my life.'.
Ruth looked at her small hands, and his long fingers. She noted neither
of them wore rings. 'And
you?' 'I am working at the
theatre.' He gestured towards the Playhouse. 'I live in London, but
I come from Croatia.' 'That
was Yugoslavia, wasn't it?' Ruth hoped she was right.
'Yes. I was born on the Dalmatian Coast. Very beautiful.'
His eyes looked sad; sensitive and vulnerable, she thought. She noted
his square shoulders and broad chest. She felt herself sitting up
straighter. He reminded her of middle-European Jewish uncles when
she was a girl I'm attracted
to an old man. This is ridiculous. I'm going to be fifty-six next
week; not that she knew exactly what that meant. Distracted,
she ran her fingers through her hair. The light reflected gold and
silver. Soon, he looked at his watch. 'I
am so sorry. I have to go now. Can I see you again?'
Ruth was flustered. Her heart was fluttering. She felt a twinge of
excitement in her stomach. 'Would you like to come to my birthday
party next week?' The thought of having a real date with him made
her panic. 'How nice of you.'
They exchanged telephone numbers.
Ruth felt safe with her friends and family around her. Her daughter,
Candy, and her husband Tim were there, with little Charlie, her grandson,
but not Jamie. She was glad not to have to explain Teo to both her
children at once. They were young when her marriage ended and had
witnessed too many men come and go in her life. But she knew none
of them had been right for her. When
Teo arrived he handed her a silver-leaved plant.
'Ginger,' she thanked him.
'I like your colours.' She was wearing silver and lilac. Ruth
thought he looked distinguished in his soft flannel suit and black
open-necked shirt. She introduced him to Candy, edging around who
he really was, and went to fetch him a drink. After all, she hardly
knew him herself. As hostess,
she had little chance for long conversations with anyone at the party,
including Teo. He stayed after the last guest left. She sat down next
to him. 'You must be tired?'
'No, but it's nice to sit
down.' 'I will make us some
coffee.' Ruth was delighted.
She sat on the sofa and kicked off her shoes. He kicked off his shoes
too, which made her a little nervous, but she sipped her coffee.
'Is Candy your only child?'
'No, my son, Jamie is travelling
in Europe.' She warmed to anyone who was interested in her children.
'Do you have children?' He
leaned his elbows on his knees, rested his forehead on clasped hands
and, looking down into his lap, he sighed. 'I've had two marriages,
two divorces and four children. The oldest, Aleksander, was killed
in the war, with his wife and baby. I fled to England with the others.
I lost my home, nearly everything.' Ruth
felt for him. He had spoken of everything she held dear. 'I am so
sorry about your son. I can't imagine how it would be to lose a child;
and a grandchild too; and to be uprooted from your home in that way.'
They sat for a while in silence.
Then he sighed again, relaxing
back into the sofa. 'My daughter, Ana, is a model and has a boy and
a girl. My son, Luka, is an artist and lives with his girlfriend.'
He sounded proud. 'They are in Zagreb now. My youngest, Marija, is
a dancer. Sometimes she stays with me in London.' He smiled.
'You have quite an accomplished
family.' 'You too.'
He has been speaking to Candy, the computer whiz. Ruth
did not ask any more about Teo's work. She fancied he had artistic
hands. She imagined he painted scenery. She felt so sorry for him.
'And what do you do?' he
asked. 'I'm just a housewife.
I have a part-time job in the doctor's surgery - and I go to an art
class once a week.' 'You
paint?' 'Yes.' She thought
he might say he painted too, but he didn't. They
fell silent. Ruth looked into her coffee mug. Teo looked at Ruth.
Eventually, she raised her eyes and looked into his. 'Would you like
me to help you clear up?' he asked.
'No,' she said, becoming suddenly bold, 'what I would like . . . '
He looked into her eyes.
'I too would like . . .'
'I would like to be held.' Ruth was still feeling Teo's sadness.
'And I would like to hold you.'
She melted in his arms. After
a while he held her away from him, kissed her forehead and looked
at her with those penetrating eyes again. 'I would like to hold you
all night.' She liked his
boldness. 'I can't promise more than that,' but she took his hand.
'Of course.' She
led him up the stairs. When
they reached her bedroom, Ruth was flustered again. She had not taken
her clothes off in front of a man in nearly ten years. She had aged
during that time. Ruth busied herself finding a towel and showed him
where the bathroom was. She took off her clothes and climbed into
the old tee shirt she usually slept in. Then she got into bed and
waited. He came back, naked
to the waist, the towel wrapped around him. Ruth tried not to stare
at the grey hairs on his chest. When she saw him reach for the towel,
she drew in her breath. He was wearing neat, white boxers.
He climbed in beside her and laid his watch on the bedside table.
'I have no rehearsal tomorrow.' This
unnerved Ruth. She had to ask him. 'Are you an actor?' trying to hide
her surprise. 'Yes. I am
playing Hamlet. We open in one week. You will come?' Ruth
felt embarrassed, not knowing what to say. I'm in bed with an
actor! He might be famous. What would he want with a provincial Jewish
housewife? He put his
arms around her as if they had been doing this all their lives. She
pushed away misgivings. After a while, she became aware of Teo's gentle
snoring. She freed herself and sat up in bed. The bedside light was
still on, so she read for a bit, feeling more comfortable now in her
normal routine. Eventually, she turned off the light, and snuggled
down, facing away from him. He turned towards her, the shape of his
body accommodating the curve of her back. He reached his free arm
round to hold her. She wriggled
around to face him. 'I thought you were asleep.' He
kissed her deeply in answer and they went to sleep.
'I do love you,' popped out spontaneously as she watched him open
one eye in the morning.
'I love you too.' They were making love before the sound of his long
vowels had faded from her ears. Ruth forgot about the theatre.
She was hungry, but it was more
than physical, more than just for love. She believed in him as if
she had known him all her life, even though they had just met. This
belief fuelled her passion. She had always believed she would meet
him, someday, even though that belief had often wavered, disappeared
into the underworld of her consciousness when she could bear the pain
no more; the lack of a compatible mate. More than once she had invested
that belief in the man of the moment, only to be betrayed by self-delusion.
But she had not believed in herself then. But
Teo was different. She had no misgivings, she told herself that morning.
She felt whole with him. It was a wholeness she realised she already
had; had grown into slowly during all the time she had spent alone.
She suspected he had it too. She liked how she was with him.
But then she remembered his acting.
It bothered her.
'I've wanted this for so long.' Ruth sat on the edge of the bath.
Teo was drying his face.
He bent his knees so that his eyes were level with hers. 'Is been
a long time for me too.' He leaned towards her. She felt the rhythm
of his breathing, already familiar. He sobbed, dry at first, then
wet, unstoppable, their shared intensity making her dizzy. She feared
she would topple backwards and crack her head.
'With you, I feel I come home,' he managed at last. 'I am so comfortable.'
'I am comfortable with you.'
Ruth felt she had come home too, to herself, as if this were the most
natural place in the world to be. They
moved to the bedroom. Ruth crawled under the duvet and held it back,
inviting Teo. 'There are
things I need to tell you. But first, I make some coffee.' He turned
and walked out of the room. She heard his steps on the stairs. He
did not come back for nearly half an hour. Ruth began to worry. What
does he want to tell me? At
last, he came into the room with a tray, laden with orange juice,
toast, fresh coffee. He got in beside her. 'Ruth, you have your family
here. I live alone in London. I travel to other countries.' Ruth
felt her heart contracting. I knew it, I knew it.
'I am making movies.' It
gets worse. Ruth could not breathe. He
put his arms around her. 'I want you to come with me. Come to London,
meet Marija.' 'Teo, I would
love to, but I'm afraid. Your life style . . . How would I fit in
with the people?' 'They
would love you. But let me finish.'
'Teo, you are a celebrity. I had no idea. Why haven't I seen you in
films?' 'In Croatia, I was
a famous actor. But it has never been the same since I left. I have
respect, but I do not get big roles any more.'
'I don't mind now. I am tired. Acting no longer challenges me. Being
with you, I realize, I want to stay home, develop my writing and my
painting.' At this moment
Ruth recalled a long-forgotten dream to live by the sea and paint,
with a partner who also painted, or did something similar.
'So, you do paint.'
'Yes. But I want to talk to you about your painting. I have
been looking at what you have around the house, here, downstairs.'
That's why it took him
so long to get the coffee.
'Do you have any more?'
'Lots. But I'm not very good.'
'I will speak to someone in London. I will arrange an exhibition.'
'That's very kind of you,
Teo, but I don't think anyone would be interested.' As
she said this, Ruth remembered her dream again. Her boldness returned
as she thought, Why shouldn't I have my work exhibited? Why shouldn't
I be an artist? Why shouldn't I be anyone I want to be?
'I think your work is very good.'
Teo did arrange the exhibition and the critics also thought her work
was very good. As for the sea - Ruth also thought the Dalmatian coast
was very beautiful. But she fell in love with Istria, which is where
she and Teo eventually settled.
Developed from my story published in Long Story Short Story ezine
September 2004
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